Hercules Farnese, Hendrick Goltzius, 1617, engraving, h 419mm w 303mm His superb engravings were much sought-after in the young Dutch Republic and further a. Help the Johnson Museum continue its legacy by making a gift today. Broken headless torso of 2nd or 3rd century AD, in Museum of Saint-Raymond in Toulouse. A collection of early modern and modern prints that demonstrates the range of techniques and print media, All Rights Reserved (42.1 x 30.4 cm), Dutch and Flemish Artists in Rome, 1500-1600, Prints and People: A Social History of Printed Pictures, How Prints Look: Photographs with a Commentary, The Dead Saviour and the Four Evangelists, Dissension in the Church (Dissidium in Ecclesia). HENDRICK GOLTZIUS (1558-1617) The Farnese Hercules engraving, 1592, on laid paper, watermark Fleur-de-Lys in Crowned Shield with pendant Letters WR (similar to Laurentius 434), a fine impression, with small margins, the lower left sheet corner outside the subject repaired and partially made up, two small repaired paper losses in the lower right margin, a few short tears and tiny nicks at the . Planned Giving Publications In later drawings and prints, Goltzius repeatedly tried to outdo earlier masters like Albrecht Drer by creating new works in their techniques and styles. HENDRICK GOLTZIUS (1558-1617) The Farnese Hercules engraving, circa 1592, on laid paper, with an indistinct Fleur-de-Lys watermark, a fine, early impression, with wide margins, in very good condition, framed Plate 416 x 300 mm., Sheet 498 x 366 mm. Log In. Jackie Hoffman! It stood for generations in its own room at Palazzo Farnese, Rome, where the statue was surrounded by frescoed depictions of the hero's mythical feats that were created by Annibale Carracci and his studio, executed in the 1590s. Staff, Publications Hendrick Goltzius (Netherlandish, Mhlbracht 15581617 Haarlem), Date: A cookie is a small text file which will be saved on your computer or mobile device when you visit our website. A small Roman marble copy can be seen over the Museum of the Ancient Agora, Athens (see illustration). Among the ancient sculptures that Goltzius studied in Rome was the Farnese Hercules, which Goltzius treated unorthodoxly from the rear to give full play to his mastery of swelling engraved lines to define and enhance the titanic back. Later (in 1591) Goltzius recorded the less-common rear view, in a bravura engraving (illustration, right), which emphasizes the already exaggerated muscular form with swelling and tapering lines that flow over the contours. 11079 20002023 The Metropolitan Museum of Art. 984 Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee. For more information, call (607) 2556464 or send an e-mail to museum@cornell.edu, Visit our Facebook page The prominently sited statue was well liked by the Ancient Romans, and copies have been found in Roman palaces and gymnasiums: another, coarser copy stood in the courtyard of Palazzo Farnese; one with the feigned (but probably ancient) inscription "Lykippos" has stood in the court of Palazzo Pitti, Florence, since the sixteenth century. [10] Their use of white materials to re-create the sculpture has been interpreted by classicist Aimee Hinds as a perpetuation of colourism in classical art.[10]. Hendrick Goltzius Title The Farnesian Hercules, plate one from Three Famous Antique Sculptures Place Netherlands (Artist's nationality) Date 1587-1597 Medium Engraving on paper Dimensions Image: 39.8 29.3 cm (15 11/16 11 9/16 in. The monumental sculpture was unearthed in Rome in the 1540s, and quickly became one of the most famous and influential of all ancient sculptures. The ancient Roman statue known as the Farnese Hercules had been discovered in the Baths of Caracalla in Rome in 1546, and installed in a courtyard of the Farnese family's palace on the banks of the Tiber, where it was one of the highlights of the Roman tour for visiting scholars, connoisseurs, and artists. The sculpture bears the incised signature of Glykon, in Greek. There, he studied works of art from Antiquity, among them, the famous statue of the Farnese Hercules, which had not been unearthed until the 1540s, and is located in the Museo Archeologico Nazionale, Naples, today. Brooke Shields! More information? Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. It forms a series with two other engravings of the Apollo Belvedere and the Emperor Commodus as Hercules. If you have comments or questions about this object record, please complete and submit this form. You can change your preferences or opt out of hearing from us at any time using the unsubscribe link in our emails. In myths about Heracles, killing the lion was his first task. 70, Hercules FarneseDrie antieke beelden te Rome (series title). It depicts a muscular, yet weary, Hercules leaning on his club, which has the skin of the Nemean lion draped over it. Goltzius (1558-1617), was a German-born Dutch printmaker, draftsman, and painter. The Museum Read our full, Please indicate that you accept all terms to proceed, Alternatively search more than 1.25 million objects from the. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. Goltzius is seen as a transitionals artist between the Netherlands mannerist style of the 16th century and the Netherlands realism of the 17th century. Cornell University Past, Students Onder de voorstelling zes regels Latijn. Forgot your password? Does this record contain inaccurate information or language that you feel we should improve or change? Goltziuss engraving shows the victorious, virtuous hero of Greek mythology from behind so that we do not see the club in front of the rock, though we do espy the hide of the Nemean Lion and, in his right hand, the three apples of the Hesperides. (41 x 30 cm) Gift of Paul Ehrenfest, Class of 1932, and Elizabeth K. Ehrenfest 77.028.007 See Also Together with the Flemish artist Bartholomus Spranger and his Mannerist figure ideal,. Zwolle: Waanders, 2003. Orenstein, Nadine. Tot 1787 stond dit beeld in het Palazzo Farnese, vandaar de benaming Hercules Farnese. You will receive mail with link to set new password. #Engaged!? A replica, titled Herakles in Ithaca, was erected in 1989 on the campus of Cornell University in Ithaca, NY. Staff Students Asia and Pacific His masterpiece in painting was the Dana (Los Angeles County Museum of Art). The Museum looks forward to receiving your comments. Hercules en Deanira From related movement. He used it with varying pressure to create lines that swell and taper, and which communicate form and energy. The National Gallery of Canada is home to one of the finest collections of Indigenous and Canadian art in the world, and is dedicated to amplifying voices through art. Provenance Research Search Our Collections Previous Piece Next Piece Click to enlarge image Back to collection Hendrik Goltzius Dutch, 1558-1617 The Farnese Hercules, ca. Hendrick Goltzius (15581617). In Heilbrunn Timeline of Art History. He moved to Haarlem in 1577 and established his own print publishing business there around 1578. He moved to Haarlem in 1577 and established his own print publishing business there around 1578. When Goltzius drew the statue, the legs he saw were substitutions that had been made by Guglielmo della Porta in 1560although the ancient legs had been found soon after the rest of the statue, Michelangelo convinced the Farnese that the modern ones were just as good. Farnese Hercules Hendrick Goltzius circa 1592 Museum Boijmans Van Beuningen Rotterdam, Netherlands Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. 17.37.59. Donating Artwork, Planned Giving Please enter your email address. (42.1 x 30.4 cm) Classification: Prints Credit Line: Gift of Henry Walters, 1917 Accession Number: 17.37.59 All rights reserved. Their position helps to convey the scale and physicality of the sculpture, and their attentive viewing highlights its importance. A significant factor in his decision must have been the theoretical tenets espoused by Van Mander. The rediscovered statue quickly made its way into the collection of Cardinal Alessandro Farnese, grandson of Pope Paul III. Remembering Acting Great, John Gielgud on His 119th Birthday. Glykon, whether working in Rome or Athens, is not otherwise known. [9], The statue has inspired artists such as Jeff Koons and Matthew Darbyshire to create their own versions in plaster and polystyrene, respectively. Asia and Pacific Hendrick Goltzius, The Farnese Hercules, c. 1592-1617, engraving on laid paper, 42.4 x 30.8 cm; plate: 41.6 x 30 cm, National Gallery of Canada. In Scotland a rare copy in lead, from the first half of the eighteenth century, is sited incongruously in the central Highlands, overlooking the recently restored Hercules Garden in the grounds of Blair Castle. Bronze statuette with silver-inlaid eyes of 4070 AD, This page was last edited on 14 March 2023, at 19:10. In myths about Heracles, killing the lion was his first task. Victoria and Albert Museum, London, 2022. It shows Goltzius's bulging-muscle figure style at its most extreme. We can manage your request more quickly if you include the following information: By downloading this image you agree that you will not use it commercially, as defined in our full. Orenstein, Nadine. Before photography, prints were the only way to put the image into many hands. Please take a moment to fill your information and confirm your subscription. Leaning on his knobby club which is draped with the pelt of the Nemean lion, he holds the apples of the Hesperides, but conceals them behind his back cradled in his right hand. St. Jerome Reading in an Italian Landscape, The Circumcision (Life of the Virgin Series), Landscape with Trees and Distant View of a City, Museum Purchase made possible by the Friends of the Museum of Art, W17, Gross - MOVESCI 230 -Musculoskeletal Anatomy, Northern Renaissance and Reformation-Era Art, PAST: Works selected for the course AAS 208 / HISTART 208Introduction to African Art: 100 African Objects. Broken headless torso found in the bathhouse Roman & Byzantine village in the Jezreel valley. In the late 1580s, Goltzius was at the height of his success and created some of the most spectacular pieces in the history of prints, most notably The Feast of the Gods at the Marriage of Cupid and Psyche (2000.113), The Great Hercules (46.140.28), and the series The Four Disgracers (53.601.338[3]). Karel van Mander, his biographer, described Goltzius as a rare Proteus who could assume all possible guises in his art, as he did in The Circumcision in his series The Early Life of the Virgin (17.37.36), known more familiarly as his Meisterstiche. As the line winds around the forms, expanding and contracting, it gives great sculptural force to the curves and bulges of the hero's body. Many engravings and woodcuts spread the fame of the Farnese's Hercules. Download this work and make your own creation, piece of sculpture, reproduction of a piece of sculpture, Ein privilegiertes Medium und die Bildkulturen Europas : Deutsche, Franzsische und Niederlndische Kupferstecher und Graphikverleger in Rom von 1590 bis 1630, Hendrick Goltzius (1558-1617) : tekeningen, prenten en schilderijen, Goltzius-studies : Hendrick Goltzius (1558-1617), Dawn of the Golden Age : northern Netherlandish art 1580-1620 [ : 1 1993a], Die Zeichnungen von Hendrick Goltzius : mit einem beschreibenden Katalog, http://hdl.handle.net/10934/RM0001.COLLECT.367516, signature: HGoltzius sculp. The sharply defined quality of line engraving is produced with a tool called a burin, which consists of a steel rod with a sharpened point and bevelled edge. Oops. The statue was purchased soon after its discovery by Cardinal Alessandro Farnese and displayed in the family's residence in Rome, the Farnese Palace, until the late eighteenth century. Goltzius' fame was such that when he went to Italy in 1590, he travelled incognito to avoid admirers. F and inscribed in ancient Greek bronze 34.5cm., 13in. The Farnese Hercules is a massive marble statue, following a lost original that was cast in bronze through a method called lost wax casting. Sign Up (), 2018-2021 Regents of the University of Michigan |. Visit our YouTube page Hendrick Goltzius (Netherlandish, Mhlbracht 15581617 Haarlem). He trained a number of engravers to work in his style and a large part of their production was centered around prints after the masters designs and in his distinctive engraving style, for example, The Fall of Phaeton (1992.376;49.97.662). Leaning on his gnarled club, which is draped in the skin of the Nemean lion, he holds the golden apples stolen from the Hesperides, hiding them behind his back, in his right hand. Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. The ancient Roman statue known as the Farnese Hercules had been discovered in the Baths of Caracalla in Rome in 1546, and installed in a courtyard of the Farnese family's palace on the banks of the Tiber, where it was one of the highlights of the Roman tour for visiting scholars, connoisseurs, and artists. The WOW Report for Radio Andy! Goltzius translated to paper the plasticity of the muscular, marble body by drawing sweeping lines that rise and fall with his burin, creating volume by means of a lively play of light and shade. Engraving. To license this image or for more information please contact our Licensing team. Public domain data for this object can also be accessed using the Met's Open Access API. It was Goltzius' poor health as well as his desire to see the treasures of Rome that inspired him to travel to Italy in 159091. While published . Goltzius had a deformed right hand, the result of injury from a fire when . ); Plate: 41.5 30 cm (16 3/8 11 13/16 in. Upcoming South America, On View Web Accessibility Assistance, 2023 Herbert F. Johnson Museum of Art, Cornell University. New York: The Metropolitan Museum of Art, 2000. The Farnese Hercules c. 1592 (published and dated 1617) Hendrick Goltzius (Dutch (active Haarlem), 1558-1617) Object Details We are always open to learning more about our collections and updating the website. The Museum Hercules was frequently associated with the Dutch in their rebellion against Spain, and one interpretation of his odd appearance is that he was meant as an embodiment of the Dutch nation. 1592, dated 1617; Physical Dimensions: sheet: 16 9/16 x 11 15/16 in. We continue to research and examine historical and cultural context for objects in The Met collection. Use your arrow keys to navigate the tabs below, and your tab key to choose an item, Title: Farnese Hercules (1592) by Hendrick Goltzius. Herbert F. Johnson Museum of Art The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars. Kim & Kris! He made a long-awaited journey to Italy in that year and such was his fame that he was said to have traveled incognito, covering his recognizable burned hand. Gift of Henry Walters, 1917, Accession Number: Goltzius had a masterful command of the burin. Africa Goltzius, Hendrik (engraver (printmaker)). Museum Advisory Council. Title: Farnese Hercules; Creator: Hendrick Goltzius; Date Created: ca. Wealthy collectors were able to afford any one of numerous bronze replicas, created in various sizes for table-top display. Statuette of 2nd century AD, in Detroit Institute of Arts. Upon his return from Italy, Goltzius concentrated on engraving a smaller number of showpieces. We are committed to addressing these issues, and to review and update our records accordingly. During construction of the Alameda de Hercules (1574) in Seville, the oldest public garden preserved in Europe, at its entrance were installed two columns from a Roman temple, elements of a building still preserved in the Mrmoles, an unquestionable sign of admiration for the Roman archaeological sites. All rights reserved. In Rome, he appears to have wanted to create a series of engravings of famous works of art like his Farnese Hercules (17.37.59), in particular classical statues, based on new and reliable drawings made on the spot; in this case, the Farnese Hercules (back view) in red chalk, and the Farnese Hercules (back view) in black and white chalk (both in the collection of the Teylers Museum, Haarlem). Annual Fund Goltziuss particular fascination for this Antique work of art finds expression in the unusually low vantage point and in the admiring gazes of the two viewers, these most likely being the artist himself and his son-in-law Jacob Matham. 1592 Engraving 16 1/4 x 11 5/8 in. Free events for everyone, plus special programs for students, families, and more! Hendrick Goltzius (15581617), engraver, print publisher, draftsman, and painter, was one of the outstanding figures in Dutch art during the late sixteenth and early seventeenth centuries. Faculty and Instructors Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. Upcoming Visit Past. All The Farnese Hercules Hendrick Goltzius c. 1592 - 1617 Harvard Art Museums Cambridge, United States Details Title: The Farnese Hercules Date: c. 1592 - 1617 Technique: Engraving Physical. Past, Upcoming Hercules is depicted in a moment of rest. Supposedly, the famed Dutch printmaker traveled incognito in order to avoid social obligations that might distract from his real purpose, which was sketching and studying antique sculptures. Hercules Farnese Van Mander was referring to Goltzius chameleon-like ability to create original works in the styles of earlier masters. Sign Up To refer to this object please use the following persistent URL: Do you have a remark or extra information on this object? (42.1 x 30.4 cm), Classification: One of the most important engravers and print publishers of his time, he is most widely known today for the Mannerist engravings that he and his workshop produced during the period between 1585 and 1589. Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. 'Goltzius worked in Haarlem from 1575 and around 1590--1 studied Renaissance and Ancient Roman art in Italy. The Johnson Museum actively contributes to the intellectual life of our campus and community. Citation Thompson, Wendy. Goltzius gained no less international recognition for his paintings influenced by Titian and Rubens. The Farnese Hercules shows to excellent advantage the virtuosic technique that Goltzius had developed, in which the swelling and tapering line pioneered by Cornelis Cort is exaggerated to the point that it becomes a focus of interest in itself. The publication in 1961 of E. Reznicek's catalogue rai-sonn of Goltzius's drawings, and an article by H. Miedema in 1969, established a theory on the . Leeflang, Huigen, et al. Alessandro Farnese was well placed to form one of the greatest collections of classical sculpture that had been assembled since antiquity. The Dutch artist Hendrik Goltzius (1558-1617) was an important draughtsman and the pre-eminent Northern engraver of his day. Australia, New Guinea, and New Zealand, Europe Perhaps, as was suggested by the eighteenth-century Dutch artist and collector Cornelis Ploos van Amstel, they are a self-portrait and a portrait of the artist's stepson Jacob Matham, who was also an engraver.The Farnese Hercules shows to excellent advantage the virtuosic technique that Goltzius had developed, in which the swelling and tapering line pioneered by Cornelis Cort is exaggerated to the point that it becomes a focus of interest in itself. In the picture he has included the portrait of two (presumably) travelling companions who are looping up at the statue of Hercules in awe. The Farnese Hercules shows to excellent advantage the virtuosic technique that Goltzius had developed, in which the swelling and tapering line pioneered by Cornelis Cort is exaggerated to the point that it becomes a focus of interest in itself. Australia, New Guinea, and New Zealand The type was well known in antiquity, and among many other versions a Hellenistic or Roman bronze reduction, found at Foligno is in the Muse du Louvre. North America [5] Goethe, in his Italian Journey, recounts his differing impressions upon seeing the Hercules with each set of legs, however, marvelling at the clear superiority of the original ones. Check out whats on view this season at the Museum and look back through our history. Save the artwork in any of your exhibitions or create a new one. The sculpture has been reassembled and restored by degrees. Exhibition catalogue. ca. Hear about collections, exhibitions, courses and events from the V&A and ways you can support us. As the line winds around the forms, expanding and contracting, it gives great sculptural force to the curves and bulges of the hero's body. The most astounding sheets are the so-called pen works, tour-de-force conflations of media in which Goltzius reproduced his own forceful swelling and tapering engraving lines in pen and ink, for example, Goltzius Right Hand (Teylers Museum, Haarlem), and in brush and oils in Sine Cerere et Baccho friget Venus (Without Ceres and Bacchus, Venus Would Freeze) (Philadelphia Museum of Art). He also created extraordinary colored chalk portraits of contemporary artists such as Pietro Francavilla (Rijksmuseum, Amsterdam). The statue is shown in the 1954 film Journey to Italy along with the Farnese Bull. Condition report Provenance With Tomasso Brothers, Leeds and London; From whom acquired by Karsten Schubert Ltd Catalogue note The Farnese Hercules was first recorded at the Palazzo Farnese by Aldrovandi in 1556. In 159091, during his trip to Rome, Hendrik Goltzius sketched the statue in the palazzo courtyard. Museum Advisory Council, Visit Log In Statue of the Roman hero formerly in the Baths of Caracalla, then owned by Paul III. Signup or Login The heroically-scaled Hercules is one of the most famous sculptures of antiquity,[4] and has fixed the image of the mythic hero in the European imagination. 1592 (engraved) The Dutch artist Hendrik Goltzius (1558-1617) was an important draughtsman and the pre-eminent Northern engraver of his day. On View Please take a moment to fill your information to create your account. One of the most famous among these antiquities was the Farnese Hercules, a colossal marble sculpture of the mythological hero leaning upon his club. The sculpture was admired from the start, reservations about its exaggerated musculature only surfacing in the later eighteenth century. It was Goltzius' poor health as well as his desire to see the treasures of Rome that inspired him to travel to Italy in 159091. Kids [6] Napoleon remarked to Antonio Canova that its omission from the museum he accumulated in Paris was the most important gap in the collection. Goltzius designs in this period were influenced by Bartholomeus Spranger, court painter to Rudolf II. This engraving of the giant Hercules Farnese (presently in the Naples Museum) is based on a statue Goltzius saw in Italy. Can also be accessed using the unsubscribe link in our emails please complete and submit this form 984 Access! Planned Giving please enter your email address courses and events from the V & and. Dutch artist Hendrik Goltzius sketched the statue in the Naples Museum ) is based on a statue saw... The fame of the Apollo Belvedere and the pre-eminent Northern engraver of his day in! Spranger, court painter to Rudolf II your email address Hercules ; Creator: Goltzius. Amsterdam ) Access API Caracalla, then owned by Paul III the giant Hercules Farnese noncommercial use permission..., please complete and submit this form highlights its importance: Farnese Hercules ; Creator: Hendrick reached. Language, or downloaded prints were the only way to put the into. Farnese 's Hercules de benaming Hercules Farnese Van Mander was referring to Goltzius ability! Bronze 34.5cm., 13in John Gielgud on his 119th Birthday the mid-1590s Goltzius circa 1592 Museum Boijmans Beuningen! Saw in Italy with the Farnese 's Hercules ; Creator: Hendrick Goltzius ; Date created ca. Objects in the Jezreel valley fame of the Roman hero formerly in the styles of earlier masters portraits..., NY then owned by Paul III attentive viewing highlights its importance public images. Roman hero formerly in the Naples Museum ) is based on a statue Goltzius saw in Italy 16 11... Detroit Institute of Arts you will receive mail with link to set new password two... 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